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Enjoy the New Year, hope to see you in 2010!


Best Wishes
Neil

Hello, and welcome.

Welcome to the inaugural Moderna Museet v3.0 heritage publication.

As part of our centenary celebrations we have been reviewing many of the public domain resources that Moderna co-produced in the preceding hundred years. And, the huge challenge for all of us involved was to attend to the lines of force, the transactions that generated, and continue to generate the nexus Moderna Museet; and not be dazzled by the subjects, objects or buildings they produced.

To trace the history of Moderna Museet, is to trace the history of a creative institution that in 2’12 decisively forked the 19th Century museum trajectory. We diverted from a model which had to constantly expand; commission signature buildings, consume scarce resources, evolve huge administrative hierarchies – exhibition, education, support, management and so on - to a sustainable trajectory where Moderna instituted, in the ancient sense of the word - of founding and supporting, on instituting creative practice.

"We have to discuss speculation, because the ultimate test is not the probable, but the possible. The possible implies creation, and obliges us to move beyond the probable."

Isabelle Stengers, Cosmopolitiques review

Capital is being screened as part of Backsourcing: a film program Video Lounge selected by Vincent Meessen, at the Chinese European Art Center (CEAC), Xiamen University, China, Dec 18-Jan 17, 2010.

In the world of enterprise, outsourcing delegates tasks that are no longer seen as profitable, or no longer core to a company's business, to an exterior contractor. Outsourcing enables a company to concentrate elsewhere, by diffusing risks, investments and costs to others.  The  recent economic collapse has necessitated ‘backsourcing’, when previously outsourced processes have had to be reappropriated.

Working SessionCome and join me at the launch of the journal

A Prior #19: Olivia Plender

to coincide with an exhibition at Gasworks.

Wednesday, 25 November 2009
6.30 until 9pm 

Donlon Books
210 Cambridge Heath Road
London E2 9NQ

I contributed a text inspired by Bouvard and Pecuchet.

The issue has been edited by Anna Colin, Kim Einarsson, Olivia Plender and Els Roelandt. Other contributors include Agnus Cameron, Rudi Laermans, Dieter Roelstraete, Frank Maes, Marina Vishmidt, Robert Storr, Goldin & Senneby, Pablo Bronstein, Runo Lagomarsino, and others.

see you there!

[...] The great long wave of financialization, in which every need and desire is reconfigured as an asset to be securitized and competitively traded, only succeeded in submerging the world in a deluge of financial technologies.

Flaubert’s 19th century satire of Bouvard and Pecuchet, has returned as tragedy. Adrift in a world of our own-making, alienated by knowledge that returns to us as failure, we the financialized middle-class are indeed the new cognitive proletariat. And all the while, distributive markets endure, even flourish. Connecting peoples’ needs and desires through material things, via mediums of exchange, interlocked to form an ecology.

To imagine the world as a competitive market was to invite our own alienation from it.

Working SessionThe fourth of the Procesos de archivo /Archivalprocess expert working sessions took place at Intermediæ in Madrid. The working sessions are to enable the core curatorial team to gain knowledge and experience. The sessions are closed but the raw resources will be on-line soon.

Archivist Sue Breakell lead the sessions. In the first, Sue recounted her experiences of working in different archives, and narrated the history of archiving. And in the second we refined the mapping of the knowledge ecology of intermediae, to start restructuring the server and implementing an archival practice..........

I wrote into Sue’s presentation as she spoke, following are the tweaked notes....

I will be participating in the Hinterland Symposium at Broadway in Nottingham. This one day event will question the responsibilities of artists when creating work in the public realm. I will be in conversation with Emily Wilczek and Ian Nesbitt from Annexinema and will present the Social Cinema project.

Other speakers include John Newling, Jonathan Griffin, Latitudes (Max Andrews & Mariana Canepa Luna), S Mark Gubb, Joy Sleeman, Richard Grayson, Wallace Heim and Rebecca Beinart.

Broadway 14 - 18 Broad Street Nottingham NG1 3AL

bookings: Tel. 0115 952 6611 or online www.broadway.org.uk

tickets: £12.50, conc £7 .

download:  programme

I participated in Key Ideas one of a series of events organised by the Design Cluster at Camberwell College of Art Design. The series aims to examine issues and theories important to young designers.

Key Ideas: Object tackled the role of the object in contemporary society through multiple readings introduced by different experts via three themes:

Object as Sign

Object as Capital; the Value of Things

The Narrative of Objects

Guest speakers included: Grant Gibson, Neil Cummings, Stephen Hayward, Ralph Ball, Gareth Williams.

 


I spoke in relation to The Value of Things and tried to shift attention from objects to context; these are the notes for my presentation

Performa09 , the Vera List Center and Parsons present the American premiere of Museum Futures: Distributed at the New School auditorium, Sheila C. Johnson Design Center, 66 Fifth Avenue, NY, NY

Museum Futures: Distributed is a machinima record of the centenary interview with Moderna Museet’s executive Ayan Lindquist in June 2058. It explores a possible genealogy for contemporary art practice and its institutions, by re-imagining the role of artists, museums, galleries, markets, manufactories and academies.

The project was commissioned by Moderna Museet Stockholm, Sweden, on the occasion of its 50th anniversary in 2008.

 

 

Almost three years work as a trustee, part of a big team, and here it is

The inaugural welcome from Alex Farquharson, Director

A Joy ForeverAt the Wysing Arts Centre just outside Cambridge, I took part in an all-day workshop for artists and students from the Curatorial Course at the Royal College of Art.

It was organized by Kit Hammonds and included Sarah Thornton, and Francis Outred from Christies.

"The Economics of the Art System will take an in depth look at the art market, exploring the financial and cultural economies that drive the industry. From commercial galleries, collectors and art fairs, to the influence of auction houses this retreat will question the value of art as commodity and the commercial influences on artists' practices, as well as considering survival tactics for artists, curators and gallerists."

images

Solar panelSelf Portrait; Relational MapMoMA WarsawAgora, 4th Athens BiennaleFaro FinisterraAmy at Chisenhale