I wrote a short text for Distributed, about the possibility of re-imagining the world in common. Distributed is edited by David Blamey and Brad Haylock for…

Commissioned by Catherine Dickinson

I collaborated with Marysia Lewandowska, on a long term research project that was to coincide with the re-opening of the Manchester Art Gallery (MAG). The research culminated with a project entitled Free Trade, the following text is edited from the…

As the exhibition train leaves the platform, we are taken on a documentary journey of "a happy hunting ground for tycoons" the birth of commercial television broadcasting in South West England, in 1961.

Broadcast Times is assembled from film fragments found at the South West Film…

First prototype of a possible chair. It's inspired by Enzo Mari's ideas of being able to make domestic necessities, using stock timber, simple hand tools and everyday skills. There's an echo of Utility furniture from…

During the 1990's I was very interested in the idea of collection for making sense of the world. And to be honest I'm still interested, take a look at #ObjectOfTheWeek on…

I contributed to: Decoder; 3rd Biennial for Video Art curated by Nav Haq

The invitation from Nav Haq to participate in…

Museum Futures was exhibited as part of I Taste the Future, the 2017 iteration of the Lofoten International Art Festival (LIAF), Norway.

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Surrogate was screened as part of Short Bursts of Concentrated Joy

Curated by David Blamey for Houghton, the new three-day art and music festival taking place on the Houghton…

I designed - this is where I encountered 'tesselation' - sourced and during the summer learnt to lay a floor of handmade terracotta tiles for an almacen in Riocaliente, Asturias.

The…

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A screening festival celebrating digital filmmaking and Hackney, including world premiere of 24Hour Hackney: A City Symphony

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Its a commonplace that all objects are signs for something else, what's unusual about the surrogate nipple offered to babies is that in English, the word that identifies the object, dummy advertises the fact.

SURROGATE Neil Cummings

EDITED…

While resident at the Villa Arson, I went to visit an art fair in Monaco.

The most memorable…

Twenty-odd ago, in 1997, I researched and curated a complex multi-site exhibition.....

Collected

26th April - 21 June 1997

Exploring the depth and diversity…

In 1999 I researched and realised a project in Cardiff, for the soon to open Centre for Visual Arts. This is from the accompanying publication

PROMOTION: A new work by Neil…

Inspired by Enzo Mari and his autoprogettazione furniture series from 1974, at Easter I made a table from standard dimension rough-cut Galician pine.

I hacked the design - cutting fancy…

For two weeks, I was a visiting professor at the Villa Arson;

Built on Saint-Barthélémy hill in Nice, with magnificent views over the city and the Bay of Angels, the Villa Arson is a…

Over the last few years, as part of Critical Practice research cluster at Chelsea College of Arts, we have been hacking the popular board game Monopoly.

Monopoly celebrates some of…

I'm part of an insurgent research group working on the Anthropocene Atlas of London (AAL). Sensing long term, slow, slow compared to human lifespans, climatic changes and understanding how our activities are influencing these changes is complex and challenging.  

As a result, we are…

Curated from the collection, a temporary exhibition #FromTheCollection #ObjectOfTheWeek pic.…

I was invited by Nadine Monem of common-editions to contribute a text to The Creative Stance. The beautiful publication is an exploration and celebration of creativity, from…

Here is a version of the text I produced about diversity and resilience for The Creative Stance.

Resilience is the capacity of a system – a person, a bacterial culture, a forest, a city or a…

Great company! Thrilled that Speculative Shards is included in the echo-project, https://t.co/RWj6N5P2UH pic.twitter.com/JG1RGu1eHe

— Neil Cummings (@neilarise)…

I contributed to What Happens to Us a project curated by…