I contributed to What Happens to Us a project curated by…
I'm part of an insurgent research group working on the Anthropocene Atlas of Geneva, and London (TAAG and TAAL). Sensing large scale climatic changes and understanding how human activities are influencing these changes, is complex and challenging.
As a result, we are working on micro-…
Founded in October 2013, Lafayette Anticipation of the Fondation d'entreprise Galeries Lafayette will open its doors in 2018 in the Marais district of Paris. This public interest foundation aims to support contemporary artists, design and fashion, recognising their potential to participate…
In October 1999 PhotoWorks invited myself and Marysia Lewandowska to undertake a residency in the…
In October 1999, as part of the In-Site series of projects, PhotoWorks invited myself and Marysia Lewandowska to undertake a year-long residency in the Design Council Archive at the University of Brighton.
Documents was a year-long research and exhibitionary project, this is from the accompanying publications......
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In 1997, after several years of research I managed to curate a multi-site exhibition, this account is from a reassembled guide..
Collected26th April - 21 June 1997
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I have a long-held fascination with the Great Exhibition of 1851, and more generally the means through which we structure value through things.
As part of London's Open House weekend 2016 I visited a remaining…
This summer, inspired by Enzo Mari and his autoprogettazione furniture series from 1974, I repurposed an old barn-door I found, and following his instructions made a table for the garden.
a collaborative text assembled by Neil Cummings, Marsha Bradfield and David Cross for a Cultures of Resilience publication. The text outlines research into communities of evaluation that culminated in…
I participated in Fieldworks, a residential summer school at Hospitalfield.
Hospitalfield is an astonishing location…
Coordinated by Ezio Manzini and Nick Bell, Culture of Resilience (CoR) was a cultural experiment that could be encapsulated by the following: take the community of academics of a large and prestigious university of art and design.…
Emerging out of the Open Cinema project at Open School East, an enthusiastic self organised Documentary Film Group (…
I'll be contributing to a discussion at the ICA, London about self-organisation and institutional education programmes...
The ICA's Educators' Events create a platform for conversations to challenge conventional modes of institutional learning.
They are intended to explore the…
I will contribute to...
Making Use: Life in Postartistic Times Museum of Modern Art in Warsaw, Emilii Plater 51 Warsaw
February 19 – May 1, 2016 Tuesday – Sunday, 12 p.m. – 8 p.m. Admission free
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There was a launch of Specialism edited by David Blamey on Friday April 15, 6-9pm in the Senior Common Room. I wrote a short text Socialised…
Archives, like collections in museums and galleries are built with the property of multiple authors and previous owners. But unlike the collection, there is no imperative…
The Enthusiasts: Outsider Cinema from the 1950–80s. A selection from the Enthusiasts Archive Museum…
Some time ago, we started discussing the possibility of developing a Local Currency (LC) for #TransActing; a Market of Values…
The Value of Things explores the evolution of the department store and the public museum as perfect technologies for the sourcing, transportation, accounting, stocking, and exhibition of material things and the people and values that swirl around…
The second in Open Cinema's workshops was developed and lead by Ed Webb-Ingall. Ed's research looks to recover, reactivate and revive the history and practice of community video.
Ed gave a brief account, from 1968 to 1981 of the development of a medium and moving image style that…
I participated in Critical Practice to produce;
…