Over twenty years ago I edited a book Reading Things, it's long, long out of print, although an extract from the introduction was recently republished in The Object,…
I contributed a version of Generosity to Ends Meet: Essays on Exchange, a publication developed…
I contributed a version of Generosity to Truth is Concrete: A Handbook for Artistic Strategies in Real Politics. The…
We began, students, staff, experts and others as Exhibition Experiments.
The initial idea was, through collaboration…
I'm collaborating with Critical Practice and a group of Utopographers, towards …
At a workshop - devised by Charlotte Knox-Williams - to design an event space for Utopography:…
On Sunday I joined Ace&Lion for a collaborative, swarm derived drift through the Kings…
I contributed to PROSPECTUS a beautiful publication edited by Verina Gfader…
I lino-printed my Christmas cards this year
Related to a manifesto I wrote on Generosity, and a text about…
CompDoc 191058:
Partial record of Victoria and Albert Museum's Bicentenary celebrations, 19. 09. 2057
Composite performs a human performing a live-thread recall.
[..] Well, its great to be here with you…
What’s next? Kunst nach der Krise Edited by Johannes M. Hedinger and Torsten Meyer.
The script for …
I made a presentation as part of: Artists Work in…
The Bigger Splash was a Benefit Auction for the Whitechapel Gallery The London Art Fair, Islington, London, 17th November 2001
Invited by Roma Piotrowska, I assembled Post Production an hour long film programme curated from the Enthusiasts Archive which was exhibited at Stryx, Birmingham, England.
…
I have been collaborating with 51% Studios, and we have been selected by The Architecture Foundation, Rogers Stirk Harbour + Partners and the Royal Academy of Arts, to share our research as part of London…
I participated in the inaugural workshop
Utopography: Imaging, representing and critiquing imagined worlds organised by the Arts and Science Fiction research group, the Department of Things to Come at…
Draft storyboard/shooting script for Lapdogs of the Bourgeoisie, imagining…
In 1968, at the interface between minimal and conceptual art practices Richard Serra compiled a Verb List to account for actions that could be done to, or with specific materials. The list was published in The New Avant-Garde: Issues for the Art of the Seventies (1972).
…
I contributed a presentation to The Labour of the Multitudes: Political Economy of Social Creativity which took place at the …