On Sunday I joined Ace&Lion for a collaborative, swarm derived drift through the Kings…

I contributed to PROSPECTUS a beautiful publication edited by Verina Gfader…

I lino-printed my Christmas cards this year

Related to a manifesto I wrote on Generosity, and a text about…

I was invited by Joasia Krysa, Director of the…

CompDoc 191058:

Partial record of Victoria and Albert Museum's Bicentenary celebrations, 19. 09. 2057

Composite performs a human performing a live-thread recall.

[..] Well, its great to be here with you…

I was invited by Viviana Checchia to contribute to the 4th Athens Biennale. It had a concrete post crisis theme of "Now What"?

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What’s next? Kunst nach der Krise Edited by Johannes M. Hedinger and Torsten Meyer.

The script for …

I made a presentation as part of: Artists Work in…

The Bigger Splash was a Benefit Auction for the Whitechapel Gallery The London Art Fair, Islington, London, 17th November 2001

A long…

Invited by Roma Piotrowska, I assembled Post Production an hour long film programme curated from the Enthusiasts Archive which was exhibited at Stryx, Birmingham, England.

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I have been collaborating with 51% Studios, and we have been selected by The Architecture Foundation, Rogers Stirk Harbour + Partners and the Royal Academy of Arts, to share our research as part of London…

I participated in the inaugural workshop

Utopography: Imaging, representing and critiquing imagined worlds organised by the Arts and Science Fiction research group, the Department of Things to Come at…

Draft storyboard/shooting script for Lapdogs of the Bourgeoisie, imagining…

In 1968, at the interface between minimal and conceptual art practices Richard Serra compiled a Verb List to account for actions that could be done to, or with specific materials. The list was published in The New Avant-Garde: Issues for the Art of the Seventies (1972).

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I contributed a presentation to The Labour of the Multitudes: Political Economy of Social Creativity  which took place at the …

As part of Estuary an exhibition at the Museum of London, Docklands, I lead a cycling tour

Sat 8 Jun 2013, 2pm-6pm Leaving from, and returning to the…

I'm part of a campaign for an Art Auction Transaction Tax (AATT).  It's inspired by the Art Workers Coalition (AWC)…

I've been visiting the Shabako Stone, at the British Museum, for as long as I have been living in London. It's a source of wonder.

In the twenty-fifth Dynasty, sometime around c700 BC, an Egyptian mythological text was incised for eternity in a basalt stele. The text contains an account…

I participated in a one-day conference For the love of it which explored some of the assumptions, expectations and myths about working as an artist today.

Date: Wednesday 15 May 2013Location: Cecil Sharp House,…

In 2011, asked to provide a Top Ten List of references that every art undergraduate should know, I offered these (not in order of preference):

01. Flash, Grandmaster - Adventures of Grandmaster Flash on the…

As part of Critical Practice I participating in......... One Person's Trash in Another's Treasure

When:10am Monday, 15th - 5pm Tuesday 16th AprilWhere: Chelsea…

There are seminar chairs, abandoned in rooms and offices all over Chelsea College of Art and Design, they have a bug.

When stacked, the sharp bottom edge of the front top-rail eventually cuts…

I've been cycling since I can remember, and assembled, ridden and maintained bikes most of my adult life. I have never made a bicycle from scratch though.........

I was researching, and…

One day, some of the futures we currently imagine won’t be available to us. How can we encourage those we want and discourage those we don’t?

20th - 21st March 2013, I lead a  two day workshop Art Futures for the…