Draft storyboard/shooting script for Lapdogs of the Bourgeoisie, imagining…

In 1968, at the interface between minimal and conceptual art practices Richard Serra compiled a Verb List to account for actions that could be done to, or with specific materials. The list was published in The New Avant-Garde: Issues for the Art of the Seventies (1972).

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I contributed a presentation to The Labour of the Multitudes: Political Economy of Social Creativity  which took place at the …

As part of Estuary an exhibition at the Museum of London, Docklands, I lead a cycling tour

Sat 8 Jun 2013, 2pm-6pm Leaving from, and returning to the…

I'm part of a campaign for an Art Auction Transaction Tax (AATT).  It's inspired by the Art Workers Coalition (AWC)…

I've been visiting the Shabako Stone, at the British Museum, for as long as I have been living in London. It's a source of wonder.

In the twenty-fifth Dynasty, sometime around c700 BC, an Egyptian mythological text was incised for eternity in a basalt stele. The text contains an account…

I participated in a one-day conference For the love of it which explored some of the assumptions, expectations and myths about working as an artist today.

Date: Wednesday 15 May 2013Location: Cecil Sharp House,…

In 2011, asked to provide a Top Ten List of references that every art undergraduate should know, I offered these (not in order of preference):

01. Flash, Grandmaster - Adventures of Grandmaster Flash on the…

As part of Critical Practice I participating in......... One Person's Trash in Another's Treasure

When:10am Monday, 15th - 5pm Tuesday 16th AprilWhere: Chelsea…

There are seminar chairs, abandoned in rooms and offices all over Chelsea College of Art and Design, they have a bug.

When stacked, the sharp bottom edge of the front top-rail eventually cuts…

I've been cycling since I can remember, and assembled, ridden and maintained bikes most of my adult life. I have never made a bicycle from scratch though.........

I was researching, and…

One day, some of the futures we currently imagine won’t be available to us. How can we encourage those we want and discourage those we don’t?

20th - 21st March 2013, I lead a  two day workshop Art Futures for the…

Museum Futures: Distributed was exhibited at ZKM as part of The Global Contemporary. Art Worlds After 1989

A year later a magnificent catalogue is…

As part of Critical Practice I’ve been working on a series of events/walking tours/discussions. Over the next two years, we will work with a wide range of international partners to explore…

Dragline stumbles across an autonomous machine, and via 1970's structuralist film, returns the logic of digital practice - find, copy, paste, repeat - to its industrial roots.

Commissioned as part of the British Art Show Six (2006), I collaborated with artists Marysia Lewandowska…

This public discussion based on Artist Placement Group’s discursive format The Sculpture explores Education: Not Knowing.

Inspired by APG’s working practices, I co-organised a Think…

In 2010 I collaborated with 51architecture on an entry into a com­pe­ti­tion, A Room for London. The brief was to design a tem­po­…

As part of Critical Practice I helped facilitate Insatiable…

I made a presentation as part of: Artists Work in Museums: Histories, Interventions and Subjectivities Friday 12th and Saturday 13th October 2012 at the V&A Museum, London

This…

Museum Futures was exhibited as part of Modern Monsters / Death and Life of Fiction Curated by Anselm Franke

The Taipei Biennial 2012 takes as its point of departure…

Critical Practice would like to invite you to join our p2p Exchange on Wednesday (2-4pm), as part of our contribution to the Truth is Concrete marathon.

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Many, many years ago in 1991 I made a recycled cardboard version of Pablo Picasso's Still Life of 1914. It was displayed as part of an exhibition entitled…

Where: London, EC2


Why: This event initiates a series of walking tours and events that constitute Critical Practice's ongoing Research on Value 

What: Three walking…

Time lapse document of prospectus, with thanks to Blanca Regina

We began, students, staff, experts and others at Chelsea College of Art and Design, through collaboration and practice based…