I spent the beautiful summer solstice with Carmen on the playa de Ñora, Asturias, Spain.

 …

I contributed to

If we are to think through structures of evaluation, even momentarily, we have to grapple with money.

Someone has to do it.

Money represents only %2 of the financial value in…

We began, students, staff, experts and others as Exhibition Experiments.

The initial idea was, through…

Assembly (Private View): 6- 8.30pm Thursday 24th May

prospectus is an experimental…

I was recently asked for material about Collected, this is almost all I have..... I conceived and curated Collected, it was coordinated by The Photographers Gallery, London in 1997. This digital account is…

Devised and convened by Neil Mulholland, with Dave Rushton of the Institute of Local Television, I contributed to......

Shift/Work: Developing participatory workshop models for educating…

I contributed a presentation on Parade to Digital transformations at the University of Westminster.

Digital…

Yes, I did once impersonate an art dealer. #art #market #currency…

At the Jeremy Deller exhibition Joy in People , at the Hayward Gallery there was an embossing- press with a modified quote from Jean Paul Sartre. I took a five pound note out of my wallet, and impressed 'Hell is Other People's Money'.

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On Saturday 3rd March I visited…

I participated in Critical Practice's intense and provocative #ValueCamp. It was part of our collaborative research towards Transacting a Market of Values

We are machines of evaluation, constantly attributing…

Below is an short extract from A Shadow of Marx a chapter I wrote in 2004 for  Companion to Contemporary Art Since 1945<  edited by Prof. Amelia Jones. The publication has an innovative structure, it mixes thematic sections with historical overviews, and is intended as a student 'primer'.…

As part of the Samsung Art+Prize there will be a rare London screening of Museum Futures, at the BFI Project Space, South Bank, London.

After the screening I…

Recalled from composite memory in 2061, Self Portrait: Arnolfini is a relational timeline of institutional self-consciousness. The complete timeline is being tweeted @SP_Arnolfini…

As part of the Samsung Art+Prize, I  tweeted the whole of the data sprite timeline of…

I contributed a presentation to the international conference at the Free/SlowUniversity of Warsaw in October 2011, and two month later a beautiful 430 page publication is out. Amazing! 

An English…

I will be in Plymouth to participate in the Finale Symposium for the British Art Show 7. With Tom Trevor, Director of…

Sunday 20th November, on my way to the Critical Practice Walk and Talk at the Royal Observatory.

The walk -we were to meet at at 1pm- started at the Prime Meridian, Longitude 0° Latitude 51° 28' 38 N........ even if it…

Exhibition Experiments (working title) is a collaborative practice-based research project into histories of exhibition.

Students, staff, experts and others at Chelsea College of Arts will together research the idea of exhibition as a bundle…

As part of Self Portrait; Arnolfini we produced a beautiful…

I'll be contributing to the International Conference: Free/SlowUniversity of Warsaw

The Free University of…

 I spent Sunday afternoon at the Public Assembly convened as part of the Occupy London protest.

It was inspiring to participate in real-time public democratic organisational processes and decision making.

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As part of the reflexive research program accompanying the exhibition The Global Contemporary. Art Worlds After 1989. I participated in a workshop screening of Museum Futures: Distributed.

The screening was followed by a lively discussion on the future of museums, art and its markets, the…