To coincide with the Self Portrait; Arnolfini project, I will be giving a lecture about archives, research and exhibition as part of the Art in the City…

Writing through the already written is an evolving and experimental curatorial practice. It takes the form of something-like a treasure hunt, the most recent trial was in central London.

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In 2008 I took part in an event called Disclosures II: The Middle Ages it was part of Nottingham Contemporary’s Histories of the Present, and a beautiful publication of the year long series of events has…

Over the weekend I went to visit the Cathedral de Córdoba, or Catedral de Nuestra Señora de la Asunción formerly the Great Mosque of Córdoba, or the Mezquita.

The site…

Over the course of 2011, which is the Arnolfini's 50th anniversary year I will be working to develop a series of self-portraits of the institution using information from their archive.

Presented throughout the building, these data portraits will expand throughout the year, tracing their…

The project will launch on Friday 18th February 2011 and over the course of 2011, which is the Arnolfini's 50th anniversary year I will be working to develop a…

PARADE: public modes of assembly and forms of address

I contribute to Critical Practice, a cluster of artists, researchers and…

19th January - 19th February 2011

I have two publications in the exhibition Aphasic Disturbance curated by Stephen Bury. The first, LOOT is from 1992

I had an exhibition…

Arnolfini’s Futures: a workshop Monday 24th January

Over the course of Arnolfini's 50th anniversary year, artist Neil Cummings will be working with us to develop a series of self-portraits of the Arnolfini using information from the archive.…

I saw Charlie Chaplin’s The Gold Rush on Monday. The Philharmonia Orchestra conducted by Carl Davis played a live accompaniment to Chaplin's silent classic in a special…

In Britain, the coalition governments destruction of public funding for university education, and the decimation of financial support for arts and their institutions, has indeed induced pain in the arts.

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With other leading academics, artists, curators and writers I contributed to a symposium coorganised by Lanchester Gallery Projects and the Herbert Art Gallery in Coventry. 

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I contribute to Critical Practice and following…

After an amazing week long working session where we developed and made the Relational Machine, part of the …

The Arnolfini will be fifty years old in 2011, and I've been commissioned by curator Nav Haq to work on project during the year.

I'm collaborating with the archivist Julian Warren. We are working…

On Friday I'll contribute as part of Critical Practice to an informal discussion on the relations between Money/Space/Art as part of This Is Not A Gateway 2010.

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This Friday I went to one of the Friday Sessions hosted by Public Works, they invite experts, guests and friends to participate in informal talks and presentations.

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I participated in The Future of Art, Archives and Special Collections a collaborative event organised by Tate's Library & Archive and Chelsea College of Art & Design.

"There is conflict…

Wow! I went to see an amazing performance created by Eileen Simpson and Ben White of Open Music Archive.

I worked with Ben and Eileen on…

I went to London zoo to participate in an extension of an exhibition and conference. The exhibition at Gasworks was …

 A book to accompany Lapdogs of the Bourgeoisie has been published by…

Its been a long time coming, but the book Lapdogs of the Bourgeoisie Class Hegemony in Contemporary Art…

I spent the summer in Gijon, in northern Spain and visited LABoral.

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I spent August in Gijon, Asturias in northern Spain.

I had walked through the town the previous year on the ruta del norte…