Its been a long time coming, but the book Lapdogs of the Bourgeoisie Class Hegemony in Contemporary Art…

I spent the summer in Gijon, in northern Spain and visited LABoral.

…

I spent August in Gijon, Asturias in northern Spain.

I had walked through the town the previous year on the ruta del norte…

I wrote a short text, commissioned by katya Sander for Circulation, a special issue of Printed…

I was in Madrid, researching at Intermediae, when the 2010 World cup final unfolded. It was an amazing evening, a tense…

As part of Critical Practice I participated in a discussion organised by…

Some of us from Chelsea College of Art have formed a cycling team, Chelsea Cadence. Although 'team' may be too ambitious a term, maybe cluster, flock..huddle.....rabble..

Anyway. we took part, alongside 27,991 other people in the annual London to Brighton cycle run. It was great fun.…

Peter Maloney is a researcher working on the impact of technology within learning environments. This is an edited text of a conversation from Thursday 3rd June 2010, the full research will be published soon.

Peter Maloney: Neil, I’m interested in the origins of the…

PARADE: public modes of assembly and forms of address

I contribute to Critical Practice, a cluster of artists, researchers and…

I was in Cairo in November 2008 to shoot a short film for an exhibition entitled Lapdogs of the Bourgeoisie. It's made in a ‘reality’ documentary TV style, it's a broadcast ‘trailer’ a synopsis of a future programme. Its a clone of an…

I will take part in a three day event FL∆G: re-turning the educational turn at Chelsea College of Art and Design

…

 I contrbute to Critical Practice, here is an invitation to an event we are working on.

Dear ******

We are writing to inform you of Parade, an upcoming…

Commissioned in 2005-6 by curators Alex Farquharson and Andrea Schlieker for the British Art Show Six, I collaborated with artists Marysia Lewandowska, Eileen Simpson and Ben White.

During our research, we realised…

Museum Futures: Distributed - a machinima record of the centenary interview with Moderna Museet’s executive Ayan Lindquist in June 2058.

It explores a genealogy for contemporary art practice and its institutions, by re-imagining the…

A week long working session, part of the Procesos de archivo/ Archivalprocess took…

This is my contribution for (the) Evidence: images that move

1895 cast in period costume

1. Establishing shot:

Mid shot: Large wooden factory gates.

Fade from black

Gates swing open, and workers stream from the factory; women, men, children, dogs, a few…

The research timeline 2058 - 1851 that I produced for Museum Futures …

Enjoy the New Year, hope to see you in 2010! Best Wishes Neil

I also made a Christmas card, a card to…

Hello, and welcome.

Welcome to the inaugural Moderna Museet v3.0 heritage publication.

As part of our centenary celebrations we have been reviewing many of the public domain resources that Moderna co-produced in the preceding hundred years. And, the huge challenge for all of us…

"We have to discuss speculation, because the ultimate test is not the probable, but the possible. The possible implies creation,…

Come and join me at the launch of the journal

A Prior #19: Olivia Plender

to coincide with an exhibition at Gasworks.

The fourth of the Procesos de archivo /…

I will be participating in the Hinterland Symposium at Broadway in Nottingham. This one day event will question the…

I participated in Key Ideas one of a series of events organised by the Design Cluster at Camberwell College of Arts.

The series aims to…