neil cummings

archive

01 Oct 1999
LOOT

In October 1999, as part of the In-Site series of projects, PhotoWorks invited myself and Marysia Lewandowska to undertake a year-long residency in the Design Council Archive at the University of Brighton.


20 Oct 2000
table

Documents was a year-long research and exhibitionary project, this is from the accompanying publications......

From…


12 Jun 2004
Enthusiasts publication

Archives, like collections in museums and galleries are built with the property of multiple authors and previous owners. But unlike the collection, there is no imperative…


27 Mar 2015
Bright Light

Please join me for the launch of Issue 2 of the CCW Graduate School Journal

5 – 7pm on Friday 27th March Camberwell College of…


07 May 2014
Still, Screen Tests
Substrate: the common and the doxa of property

This is a written version of a  presentation from the 7th May 2014,  my contribution to the Substrate Symposium (part 3) held at Chelsea College of Arts, it was written to be published in…


07 Jul 2014
Gallery closed

I took part in a workshop Curating the Activist Object, 7- 8th July at May Day Rooms

A wave of political uprising in recent years has made visible the inventiveness and creativity that…


19 Feb 2014
Workers leaving the factory

All cast in period costume c1895

1. Establishing:

Mid shot: Large wooden factory gates.

Fade from black

Gates swing open, and workers stream from the factory; women, men, children, dogs, a few bicycles and eventually a horse drawn carriage.


19 Oct 2012
Shabaka Stone

CompDoc 191058:

Partial record of Victoria and Albert Museum's Bicentenary celebrations, 19. 09. 2057

Composite performs a human performing a live-thread recall.

[..] Well, its great to be here with you…


26 Sep 2013
Enthusiasts publication

Invited by Roma Piotrowska, I assembled Post Production an hour long film programme curated from the Enthusiasts Archive which was exhibited at Stryx, Birmingham, England.


22 Apr 2006
DRAGLINE

Dragline c1950 stumbles across an autonomous machine, and via 1970's structuralist film, returns the logic of digital practice - find, copy, paste, repeat - to its industrial roots.

Commissioned as part of the British Art Show Six (2006), I collaborated with artists Marysia…